Exhibits
-
Musical Scores: Stories Told and Untold
- Ryan Banks: Performance of Bach’s Mass in B minor on Trumpet
- Spencer Bean: If the Pope Gregory I Legend Didn’t Happen, What Did?
- Janae Henry: Dynamics, Tempo, and Ornamentation and Articulation
- Ellie Marsh Farley: Casulana and the Madrigale Arioso
- Megan O’Dell: Elisabeth Jacquet de La Guerre’s Opera Loss
- Sophia Pack: Dynamics of Vivaldi: Recorder Concerto in C Major, RV 443
- Jeffrey Ruesch: Thomas Tallis: Spem in Alium
- Jacob Shaw: A Guide to Performing “Miserere Mei Deus” by Gregorio Allegri
- Chelsie Speer: Text Painting in Pergolesi’s Stabat Mater
- Ryan Terry: The Chalumeau: A New Sound in Music
- Calvin Jones: Rediscovering Historically Accurate Da Capo Aria Performance Practice
- Andrew Burnham: Arcangelo Corelli and Baroque Ornamentation
- Sarah Campbell: The Implementation of Baroque Performance Practices on a Modern Violin
- Hailey Crockett: Vocal Pedagogy in Baroque Period
- Alexander Foster: Teaching Dynamics to a Young Choir in Regard to Antonio Vivaldi’s Gloria
- Conner Fristoe: Henry Purcell’s Dynamics and Articulation: O God, thou hast cast us out
- Chantel Goodwin: Like Father, Like Daughter: How Francesca Cacinni Was Influenced by Her Father’s Works, and How She Was Not
Henry Purcell’s Dynamics and Articulation: O God, thou hast cast us out
By Conner Fristoe
