Exhibits
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Musical Scores: Stories Told and Untold
- Nikki Andreasky: Handel’s Messiah
- R. Tanner Beck: Organ Registration of Bach’s Prelude and Fugue in C Minor (BWV 546) on American Pipe Organs
- Marah Christenson: Ornamentation in French Baroque Flute Music
- Luke Crockett: A Song for The Ages
- Chad Evans: Heavenly Music in Hell
- H. Aldridge Gillespie: The Modern Timpanist's Survival Guide to Historically Informed Performance of Baroque Music
- Reagan Jeppesen: Elmiro's Aria
- Elizabeth Jones: The Sarabande and Gigue of Bach’s Violin Partita No. 2 in D Minor
- KatieRae McOmber: Articulating Bach
- Mauricio Miranda: Performance Practice of “Comfort ye, My people” & “Ev’ry Valley Shall Be Exalted”
- Alysha Osterhout: Exploring Trio Sonata No. 5 in C Major by Johann Sebastian Bach
- Logenn Wurtz: The Enduring Influence of Hildegard
What stories are told (or not told) in manuscripts and scores from the Middle Ages, Renaissance, or Baroque periods? Students in Music 301 (Winter 2022 semester) research these questions to find out. Explore their research to learn more.
Nikki Andreasky: Handel’s Messiah
R. Tanner Beck: Organ Registration of Bach’s Prelude and Fugue in C Minor (BWV 546) on American Pipe Organs
Marah Christenson: Ornamentation in French Baroque Flute Music
Luke Crockett: A Song for The Ages
Chad Evans: Heavenly Music in Hell
H. Aldridge Gillespie: The Modern Timpanist's Survival Guide to Historically Informed Performance of Baroque Music
Reagan Jeppesen: Elmiro's Aria
Elizabeth Jones: The Sarabande and Gigue of Bach’s Violin Partita No. 2 in D Minor
KatieRae McOmber: Articulating Bach
Mauricio Miranda: Performance Practice of “Comfort ye, My people” & “Ev’ry Valley Shall Be Exalted”
Alysha Osterhout: Exploring Trio Sonata No. 5 in C Major by Johann Sebastian Bach
Logenn Wurtz: The Enduring Influence of Hildegard