Exhibits
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Musical Scores: Stories Told and Untold
- Jonathan Barrus: The Harpsichord: Why the Lack of Uniformity Created Different Compositional Styles in the Baroque Era
- Rebecca Corder: Baroque Bassoon and Articulation
- Alex Mittelsteadt: The English Reformation’s Influence on Thomas Tallis’s If ye love me
- Emily Caballero Green: Madalena Casulana’s “Ridon or per le piaggie:” Tradition and Innovation in the First Music Published by a Woman
- Lauren Gardner: Francesca Caccini’s Untold Story
- Vanessa Hudman: The Legacy of Francesca Caccini: Il primo libro delle musiche
- Savannah McNeil: Characterizing Cleopatra’s “Non Disperar” with Ornamentation in the Late Baroque Italian Style
- Chelsie Speer: Early Ottoman Military Music and its Impact on Opera in the Baroque Era
- Jordan Wilhelmsen: Performance Interpretation of J.S. Bach’s French Suite VI, Courante
What stories are told (or not told) in manuscripts and scores from the Middle Ages, Renaissance, or Baroque periods? Students in Music 301 (Spring 2022 semester) research these questions to find out. Explore their research to learn more.
Jonathan Barrus: The Harpsichord: Why the Lack of Uniformity Created Different Compositional Styles in the Baroque Era
Rebecca Corder: Baroque Bassoon and Articulation
Alex Mittelsteadt: The English Reformation’s Influence on Thomas Tallis’s If ye love me
Emily Caballero Green: Madalena Casulana’s “Ridon or per le piaggie:” Tradition and Innovation in the First Music Published by a Woman
Lauren Gardner: Francesca Caccini’s Untold Story
Vanessa Hudman: The Legacy of Francesca Caccini: Il primo libro delle musiche
Savannah McNeil: Characterizing Cleopatra’s “Non Disperar” with Ornamentation in the Late Baroque Italian Style
Chelsie Speer: Early Ottoman Military Music and its Impact on Opera in the Baroque Era
Jordan Wilhelmsen: Performance Interpretation of J.S. Bach’s French Suite VI, Courante