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Whale Bone Scrimshaw
Whale Bone Scrimshaw
Scrimshaw is a form of folk art practiced by whalemen in the 19th and early 20th centuries (West). The name comes from the British slang "scrimshanker," meaning one who wastes time (Dorsey). Whaling voyages often lasted four years or more and the work of whaling was dangerous. The men were unable to work at night and they often waited long periods between whale sightings. So to fill the hours and relieve the boredom, they played cards or checkers, and wrote in personal journals, while those with an artistic bent did woodcarving, sketching, knotwork - and make scrimshaw.
The taking of the whale provided scrimshanders, as makers of scrimshaw were called, with plenty of material. Sperm whales provided teeth, all whales provided bone, bowhead and right whales provided baleen (a flexible, black material found in their mouths). Walrus tusks were decorated by those who ventured into Northern waters, and scrimshanders also engraved designs on exotic wood and shells.
They used crude sailing needles or pocket knives whose blades had been specially filed and sharpened, and the rocking movement of the ship, as well as the skill of the artist, produced drawings of varying levels of detail and artistry. Candles black, soot, or tobacco juice was used to bring the engraved design into view.
While some works were purely decorative, many items made from these materials were intended for practical uses. These include napkin rings, canes, knitting needles, pie crimpers, jagging wheels (for cutting pastry), bodkins (for embroidery), swifts (yarn winders), and tools of all sorts for shipboard use (Frank).
This example, dated 1881, is made of whale bone. It shows how a sperm whale would be cut up. The engraving is of high quality, with firm, dark lines, The yellow tone of the bone is because its age. The scrimshander also carved wooden plugs to hide the hollow interior of the bone. Engraved in the bone is a title, "Outline of a Sperm Whale Showing the Manner Of Cutting In," the date, and the city "Newport R.I.," and perhaps the ships name; "Brig Steel Warrior".
***
Dorsey, James. Scrimshaw, as American as Jazz. World & I 32, no. 12 (December 2017): 2. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip&db=f5h&AN=126711797&site=eds-live&scope=site.
Frank, Stuart M. Curiously Carved. Magazine Antiques 180, no. 1 (January 2013): 194-203. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip&db=f5h&AN=84977607&site=eds-live&scope=site.
West, Janet. "Scrimshaw." Grove Art Online. 2003; Accessed 9 Mar. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000077190. -
Clifford Rigby Mission Portrait
Clifford Rigby Mission Portrait
Group photo of missionaries and others from the Swiss-German LDS mission. Sitting from left to right: Wilford W. Schulze of Salt Lake City, President Francis Salzner, Hilda Heimburg of Gotha (Germany), Clifford Rigby of Rexburg. Standing from left to right: Ralph Stahle of Park City, Paul Jensen of Salt Lake City, John Russon of Los Angeles, Richard Ashton of Salt Lake City, David Piranian of Salt Lake City, Alfred Niederhauser of Basel (Switzerland), Bert E. Nordquist of Salt Lake City. Silver gelatin image. -
Clifford Rigby Mission Small Group Photo
Clifford Rigby Mission Small Group Photo
Group photo of missionaries and others from the Swiss-German LDS mission. From left to right, sitting: Grant Stebel of Salt Lake City, Don O. Willie of Salt Lake City, President Fred Tadge, Delbert Fuhriman, and Hollis Chatwin of Mammoth (Utah). From left to right standing: Walter Kunzler of Willard (Utah), Nephi K. Davis of Carey (Idaho), O. Kelvin Post of Tucson, Thomas L. Broadbent of Ogden, and Clifford B. Rigby of Rexburg. Silver gelatin image. -
Leather Guantlets
Leather Guantlets
Leather Guantlets with tooled design. Four snap clousure. -
Blouse Skirt Set With Butterfly Accents
Blouse Skirt Set With Butterfly Accents
Linen blouse with high neck and hand embroidered butterflies and eyelets on front. Vertical hand pintucking at top of bodice, button closure at back. Gathers at waist in back. Black tie decoration at neck. Skirt is black with gathers at waist and vertical accordian pleats at edge. Probably had bustle at one time but skirt had been altered. -
Cream Muslin Bloomers
- Creator
- Embroidered monogram E. H. Made in Germany
Cream Muslin Bloomers
Bloomers with drop back panel with gathers. Separate back wiast panel with draw string and shell buttons. Three horizontal pin tucks and Eyelet lace at gathered knee. Gather is mitered at side opening. Two darts at waist. Hand made buttons with metel ring and thread.- Creator
- Embroidered monogram E. H. Made in Germany
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Long Brown Cotton Skirt
Long Brown Cotton Skirt
Long skirt made of panels that have been pieced together, with 18" of machine quilted material at bottom of diamonds and chevrons. Growth pelt above quilting. Three hook and eye closures at center back. 4" yoke at top. Four pleats in front and four in back.
Showing 1-50 of 13333 records.