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Identifier | ART.NAM.AD1881 |
Description | Scrimshaw is a form of folk art practiced by whalemen in the 19th and early 20th centuries (West). The name comes from the British slang "scrimshanker," meaning one who wastes time (Dorsey). Whaling voyages often lasted four years or more and the work of whaling was dangerous. The men were unable to work at night and they often waited long periods between whale sightings. So to fill the hours and relieve the boredom, they played cards or checkers, and wrote in personal journals, while those with an artistic bent did woodcarving, sketching, knotwork - and make scrimshaw. The taking of the whale provided scrimshanders, as makers of scrimshaw were called, with plenty of material. Sperm whales provided teeth, all whales provided bone, bowhead and right whales provided baleen (a flexible, black material found in their mouths). Walrus tusks were decorated by those who ventured into Northern waters, and scrimshanders also engraved designs on exotic wood and shells. They used crude sailing needles or pocket knives whose blades had been specially filed and sharpened, and the rocking movement of the ship, as well as the skill of the artist, produced drawings of varying levels of detail and artistry. Candles black, soot, or tobacco juice was used to bring the engraved design into view. While some works were purely decorative, many items made from these materials were intended for practical uses. These include napkin rings, canes, knitting needles, pie crimpers, jagging wheels (for cutting pastry), bodkins (for embroidery), swifts (yarn winders), and tools of all sorts for shipboard use (Frank). This example, dated 1881, is made of whale bone. It shows how a sperm whale would be cut up. The engraving is of high quality, with firm, dark lines, The yellow tone of the bone is because its age. The scrimshander also carved wooden plugs to hide the hollow interior of the bone. Engraved in the bone is a title, "Outline of a Sperm Whale Showing the Manner Of Cutting In," the date, and the city "Newport R.I.," and perhaps the ships name; "Brig Steel Warrior". *** Dorsey, James. Scrimshaw, as American as Jazz. World & I 32, no. 12 (December 2017): 2. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip&db=f5h&AN=126711797&site=eds-live&scope=site. Frank, Stuart M. Curiously Carved. Magazine Antiques 180, no. 1 (January 2013): 194-203. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip&db=f5h&AN=84977607&site=eds-live&scope=site. West, Janet. "Scrimshaw." Grove Art Online. 2003; Accessed 9 Mar. 2021. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000077190. |
Categories | Special Collections > History of Writing |
Identifier | b2-Nurnberg_41 |
Description | Group photo of missionaries and others from the Swiss-German LDS mission. Sitting from left to right: Wilford W. Schulze of Salt Lake City, President Francis Salzner, Hilda Heimburg of Gotha (Germany), Clifford Rigby of Rexburg. Standing from left to right: Ralph Stahle of Park City, Paul Jensen of Salt Lake City, John Russon of Los Angeles, Richard Ashton of Salt Lake City, David Piranian of Salt Lake City, Alfred Niederhauser of Basel (Switzerland), Bert E. Nordquist of Salt Lake City. Silver gelatin image. |
Categories | Manuscripts |
Identifier | b2-Nurnberg_43 |
Description | Group photo of missionaries and others from the Swiss-German LDS mission. From left to right, sitting: Grant Stebel of Salt Lake City, Don O. Willie of Salt Lake City, President Fred Tadge, Delbert Fuhriman, and Hollis Chatwin of Mammoth (Utah). From left to right standing: Walter Kunzler of Willard (Utah), Nephi K. Davis of Carey (Idaho), O. Kelvin Post of Tucson, Thomas L. Broadbent of Ogden, and Clifford B. Rigby of Rexburg. Silver gelatin image. |
Categories | Manuscripts |
Identifier | b2-Nurnberg_44 |
Description | Group photo of members of the Swiss-German LDS mission. Clifford Rigby is in the middle of the third row from the bottom. Silver gelatin image. |
Categories | Manuscripts |
Identifier | BCM1000 |
Description | Hand sewn cream-colored wedding dress, embroidered linen, machine lace roses. |
wedding dresses | |
Female | |
linen (material) | |
Cream |
Identifier | BCM1000 |
Description | Hand sewn crea-colored wedding dress, embroidered linen, machine lace roses. |
Apparel | |
Female | |
Linen | |
Cream |
Identifier | BCM1000 |
Description | Hand sewn cream-colored wedding dress, embroidered linen, machine lace roses. |
wedding dresses | |
Female | |
linen (material) | |
Cream |
Identifier | BCM1001 |
Description | Cream-colored nylon slip with lace trim at top in an empire waist cut. Sheer ruffle with lace around bottom. |
slips (underwear) | |
Female | |
nylon | |
Empire waist | |
Creator | Aristocraft by superior Nylon Made in the USA |
Identifier | BCM1002 |
Description | Beaded Vest with mandarin collar, beaded mesh and fringe. Black elastic waist stay. |
vests (garments) | |
Female | |
cotton (textile) | |
Black |
Identifier | BCM1002 |
Description | Beaded Vest with mandarin collar, beaded mesh and fring. Black elastic waist stay. |
Apparel | |
Female | |
Cotton | |
Black |
Identifier | BCM1003 |
Description | Two layers or strait shifts with gathered satin, frayed trim. Mock pocket of gathered material on cord at hip line and shoulder seam. Machine French Seams, Snap closures at Shoulder and left side |
dresses (garments) | |
Female | |
silk (textile) | |
Drop waist. Gathered fabric at mock pocket to add fullness at hipline | |
Brown |
Identifier | BCM1003 |
Description | Two layers or strait shifts with gathered satin, frayed trim. Mock pocket of gathered material on cord at hip line and shoulder seam. Machine French Seams, Snap closures at Shoulder and left side |
Apparel | |
Female | |
Silk | |
Drop waist. Gathered fabric at mock pocket to add fullness at hipline | |
Brown |
Identifier | BCM1004 |
Description | Cotton print, gathered at waist in front. Belted with bow in back. Attached at side seam. Blue accent fabric on long sleeves, collar and neck line. V neckline with insert. Snap Closures. |
dresses (garments) | |
Female | |
Cotton (textile) | |
V- neck | |
Crean, blue |
Identifier | BCM1004 |
Description | Cotton print, gathered at waist in front. Belted with bow in back. Attatched at side seam. Blue accent fabric on long sleeves, collar and neck line. V neckline with insert. Snap Closures. |
Apparel | |
Female | |
V- neck | |
Crean, blue |
Identifier | BCM1005 |
Description | Wedding Dress of satin with tight foreman and puff sleeve |
Wedding dresses | |
Female | |
Satin | |
Empire waist that wraps around to point at hip side seam and up to point in back | |
White |
Identifier | BCM1006 |
Description | Two piece dress with horizontal pintucking on skirt with crocheted lace edging. Top has vertical pintucking with vertical lace panels. Shell button closures. Hidden button plackets. |
Dresses (garments) | |
Female | |
Cotton (textile) | |
Blouson top and gathered skirt | |
Cream |
Identifier | BCM1007 |
Description | Slip with smocking in back, sweetheart neck, multiple two inch netting ruffles, pink bow in front. |
slips (underwear) | |
Female | |
Nylon; netting (textile) | |
Cream | |
Creator | Penney's |
Identifier | BCM1008 |
Description | Dress with short dolman sleeves, detachable peplum with lace trim. Bow tie opening. |
Dresses (garments) | |
Female | |
Silk (textile) | |
Cream |
Identifier | BCM1009 |
Description | Drop waist dress with long straight sleeves. Scalloped picoted flounces, cascade at shoulder and side insert in skirt. Refered to as jobots in the pattern books of the era. Scallops are hand finished at edges. V-neck has narrow rolled edge finish. |
Dresses (garments) | |
Female | |
Chiffon | |
Brown |
Identifier | BCM1010 |
Description | Drop waist dress with skirt constructed with 2 inch horizontal pleats and 8 inch vertical mini accordian pleats. Geometric pintuck design on top of bodice. Sleeve edge has 4 inch smocked pleat at edges. Tie at waist in back. Silk slip attached inside. |
Dresses (garments) | |
Female | |
Chiffon; silk (textile) | |
Drop waist. Gathered fabric at mock pocket to add fullness at hipline | |
Salmon |